Mate Hollos: Rhapsodic Monologue
Mate Hollos (1954– ) Solo piece organically combining characters from the scherzo to the lament in one movement.
Mate Hollos: Rhapsody
Mate Hollos: Rhapsody Máté Hollós (1954– ) in his 5 minutes long piano piece Rhapsody follows neither the form and the
Mate Hollos: Riviolas
Mate Hollos: Riviolas Máté Hollós (1954– ) composed his 10 minutes long one movement piece for six violas for the commission
Mate Hollos: Six and a Half Flute Duets
Mate Hollos (1954- ) The cycle which can be played movement by movement too, is fitting already to higher classes
Mate Hollos: Song for Many Guitars
Mate Hollos (1954– ) A concert piece in one movement (about 6 minutes) originally composed for guitar orchestra but can
Mate Hollos: Three Pieces for Trumpet and Piano
Mate Hollos (1954– ) Larghetto capriccioso, Largo arioso and Presto scherzante – these three titles manifest the character of the
Mate Hollos: Trombondine
Mate Hollos (1954– ) The five minutes long piece in one movement can be played on tenor and bass trombone
Mate Hollos: Viole contro violenza
Mate Hollos (1954– ) This work exists in two versions. In a five-movements one which contains three duos and two
Matuz 60
Matuz 60
Medieval, Renaissance and Baroque Music from the Repertoire of the Mandel Quartet
Medieval dances and sacred music, dances from the Danserye Collection by Susato, Greensleeves, Sonata in C major by Vivaldi (Il
Melinda Kistetenyi: Sonata per trombone solo
Melinda Kistetenyi (1928-1999) A drawing-like, lyrical concert piece by the composer, also reknown as an organist, in a style following
Melinda Kistetenyi: Trio for Flute, Oboe and Bassoon
Melinda Kistétényi (1926–1999) Concert piece in two movements which can be played from higher classes of music schools. (Score and
Mihaly Mosonyi: Piano Works
Mihaly Mosonyi (1815-1870) Little concert pieces in the Hungarian romantic style of the 19th century on intermediate technical level.
Mihaly Mosonyi: Studies for Piano for Development in the Performance of Hungarian Music
Mihaly Mosonyi (1815-1870) The studies of Liszt’s contemporary and friend for the different levels of music education in the Hungarian
Mihaly Mosonyi: Transcriptions and Marches for Piano
Mihaly Mosonyi (1815-1870) Little concert pieces in the Hungarian romantic style of the 19th century on intermediate technical level.
Mihaly Raduly: Naplemente alkonyatkor
Gyula Babos, Lajos Kati Horvath, Vilmos Javori, Imre Koszegi, Miklos Orszaczky, Mihaly Raduly, Bela Szakcsi Lakatos, Sandor Vajda
Miklos Csemiczky: Solo Sonata for Violin No.2
Miklos Csemiczky (1954– ) Virtuoso concert piece in four movements.
Miklos Kocsar: Capriccio for solo flute
Miklos Kocsar (1933- ) Concert piece which can be used on intermediate level of flute education.
Miklós Sugár (1952 – ) Spring Letter
A “letter” promised to the dedicatee, György Lakatos in autumn, arrived next spring in four movements for bassoon and piano.
Miklós Sugár (1952– ) Double Play
”I finished my one-movement piece Double Play for clarinet and piano in January 2017. It is fitting to the series
Miklós Sugár (1952– ) Quadriga – for 4 guitars
The piece was written for guitar orchestra or soloists in 5 movements. The energic opening one begins with huge chords
Miklos Sugar: Brass Characters
Miklos Sugar (1952– ) Brass Characters consists of six short movements: the first one is a fanfare introduction, the
Miklos Sugar: Chorea
Miklos Sugar (1952– ) Composition in one movement for clarinet, cello and a player of prepared piano as well as
Miklos Sugar: Duos for Flute
Miklos Sugar (1952– ) Flute duets using up-to-date techniques of instrument playing including multiphonics in 9 minutes (2 playing scores,
Miklós Sugár: Greg; 3’13”; Second Flowering
Miklós Sugár (1952– ) Three solo pieces using the specific technique of the excellent flautist combining staccato with circular breathing. (15
Miklós Sugár: Interconnections
Milós Sugár (1952– ) Concert duo for violin and piano in the rhythmic style of the composer.
Miklos Sugar: Luxatio
Miklós Sugar (1952– ) I wrote Luxatio for solo flute in the winter of 1988–89 for István Matuz. In November
Miklos Sugar: Musica a quattro
Miklos Sugar (1952– ) A concert piece in five movements representing the rhythm-centric musical world of the composer. Score and
Miklos Sugar: Réminiscences
Miklos Sugar (1952- ) Trio for clarinet, cello and piano. (Score and parts.)
Miklos Sugar: Two Daffodils – for 2 clarinets and bassoon
Miklos Sugar (1952– ) A trio in one movement based on a folk ballad from Bartók’s collection, featuring Sugár’s own
Miklos Sugar: Two Latin Hymn-Fragments
Miklos Sugar (1952– ) The two hymn-fragments: 1. O quam admirabile, 2. Amor est vita omnium (Sancti
Music of 200 Years for Horn
A new collection by the reknown horn teacher, Pálma Szilágyi for music school pupils from well-known and loved pieces originally
Never Enough of Bach
Three works by J. S. Bach in the transcription of Gergely Ittzés: Sonata in D major BWV 1028, Sonata in
Never Enough of Bach – 2. book
Further works by Johann Sebastian Bach transcribed by Gergely Ittzés: Partita in E minor (compiled from movements of the violin
Never Enough of Bach – Vol. 3
Transcriptions by Gergely Ittzés from Sonata in B minor (BWV 1014) and Partita in C minor (BWV 997) With introduction