István Láng (1933– ) Silence – Chamber music for 2 players
The composer wrote his piece for the 70th birthday of the renowned Hungarian flautist, István Matuz. The percussionist uses vibraphone,
Istvan Lang: Canto
Istvan Lang (1933- ) A captivating, virtuoso solo piece in one movement for flute.
Istvan Lang: Concitato
István Láng (1933– ) A virtuoso material follows the first, dramatic part of the piece. The chords and passages cannot
Istvan Lang: Glances back
István Láng (1933– ) The title of this work, written in 2000 and lasting 11 minutes, refers to its unusual
Istvan Lang: Interpolations – for bassoon solo
Istvan Lang (1933– ) A solo work using modern means of playing by one of the most outstanding and internationally
Istvan Lang: Ist es möglich ohne B-A-C-H? For Cembalo
Istvan Lang (1933- ) A witty harpsichord piece of the pioneer composer as a tribute to Bach.
Istvan Lang: Pezzo strepitoso
Istvan Lang (1933– ) A solo piece in one movement (approx. 9 minutes ) with a dramatic intonation.
István Láng: Piano Pieces for 4 hands from 7 to 77 years
István Láng (1933– ) Technically simple but contemporary minded – contemporary minded but technically simple pieces. The titles of the
Istvan Lang: Sassonanti
Istvan Lang (1933– ) A solo piece for saxophone by a leading figure of contemporary Hungarian music.
Istvan Lang: Sempre in tensione
Istvan Lang (1933– ) The title of the composition written for flute, violin and viola characterises the style of the
István Láng: Variazioni senza tema
István Láng (1933– ) A one movement concert piece built from six form units to enrich the repertoire of the
Istvan Matuz: 6 studii per flauto solo
Witty concert studies to make the most contemporary flute technique practice. The new ways of flute playing are illustrated by
Istvan Szigeti: A Little Mosquito’s Life and…
Istvan Szigeti (1952- ) Virtuoso flute duet with musical humour.
Istvan Szigeti: Gestures
Istvan Szigeti (1952- ) Concert piece for 2 clarinets and bassoon.
Istvan Szigeti: Impossiblities
István Szigeti (1952– ) Duo for two Hungarian instrumental virtuosos: the flautist Zoltán Gyöngyössy and the bassoonist György Lakatos, dedicated
Istvan Szigeti: Why Not? for Flute Cello and Piano
Istvan Szigeti (1952- ) A musically humorous trio for flute, cello and piano which can be well used on an
Istvan Vantus: Hommage a J. S. Bach
Istvan Vantus (1935-1992) The piano part is the Prelude in C major from The Well-tempered Piano by Bach which the
Istvan Vantus: Hommage a Mozart
Istvan Vantus (1935-1992) Concert piece for solo clarinet.
Istvan Vantus: Parabola
Istvan Vantus (1935-1992) A lyrical concert piece for cello and piano.
Istvan Vantus: Suite for Violin
Istvan Vantus (1935-1992) A captivating concert piece for violin inspired by forms of the baroque but using 20th century musical
Istvan Vantus: Two Little Piano Pieces
Istvan Vantus (1935-1992) For pupils (Dream, Game).
Iván Madarász (1949– ) Hommage à 19th Century
The composer does not tribute to the 19th century with stylistic games. He rather concerned about music theory when writing
Iván Madarász (1949– ) In due voci
The title of the piece refers to that case of the two-voice texture in which the two layers of the
Ivan Madarasz: Anecdote
Ivan Madarasz (1949- ) The title of the composition suggests there is a story – that can be told in
Ivan Madarasz: Colla parte
Iván Madarász (1949– ) This composition for bassoon and piano offers a real chamber music playing: according to the title
Ivan Madarasz: Dialogue for trombone and piano
Ivan Madarasz (1949- ) Virtuoso composition using modern effects of intonation.
Ivan Madarasz: FÜRZOGY for flute solo
Ivan Madarasz (1949- ) A powerful concert piece dedicated to the significant flautist Zoltán Gyöngyössy (his name is in the
Iván Madarász: In memoriam… for alto flute and bassoon
Iván Madarász (1949– ) Originally the composition was dedicated to the memory of a definite person but later the characteristics
Ivan Madarasz: Katabasis
Ivan Madarasz (1949– ) The comments of the composer to the works: ”The composition was written after the news
Ivan Madarasz: Lot’s Prayer
Ivan Madarasz (1949– ) The closing aria of the opera ”Lot” by the composer: the painful farewell prayer of Lot
Ivan Madarasz: Sheol
Ivan Madarasz (1949- ) Touching concert piece in one movement with a slight reference to Hungarian and Jewish folklore for
Ivan Madarasz: Symbols
Ivan Madarasz (1949– ) A composition in 6 movements for horn, 4 trumpets, 4 trombones and tuba which the players
Ivan Madarasz: Three Dances in Three-four
Ivan Madarasz (1949- ) These flute duets are teachable from higher classes of music school.
Ivan Madarasz: Three Stories for Oboe and Piano
Iván Madarász (1949- ) Composition for oboe and piano from intermediate level to the concert platform.
Ivan Madarasz: What Hamlet did not Tell Ophelia
Iván Madarász (1949– ) Certainly, this solo piece for flute does not continue the plot of Shakespeare’s drama. It rather
Iván Madarász: What Ophelia did not Tell Hamlet
A twin piece of What Hamlet did not Tell Ophelia (A–1176), a virtuoso solo composition. (4 pages)