Further aspects of the Bartók analysis by Lendvai: the form concept, interaction of material and contents (The Bluebeard’s Castle), idea of duality (Two Portraits), dramatic forming (Two Pictures), tone symbols (The Miraculous Mandarin), nature-sybolics (Dance Suite), stereo problems (Music for Strings, Percussion and Celesta), sythesis (Sonata for two pianos and percussion), grand sonata form (Violin Concerto, Divertimento), variants on the bridge form (the six string quartets), Allegro barbaro, Bartók’s harmonic system.
In German Language
